I'll kidnap 1,000 children before I let this company die! And I'll silence anyone who gets in my way! No, the fuchsia ones go to purchasing and the goldenrod ones go to Roz. So the pink copies go to purchasing, and the fuchsia ones go to Roz. The pink copies go to accounting, the fuchsia ones go to purchasing, and the goldenrod ones go to Roz. It's just I forgot about some paperwork I was supposed to file. Oh no, my scare reports! I left them on my desk! If I'm not at the restaurant in five minutes, they're gonna give our table away, what am I gonna tell-?! Schmoopsie-Pooh. Fun-filled evening planned for tonight?Īnd I'm sure you filed your paperwork correctly.for once! Your stunned silence is very reassuring. What a night of romance I've got ahead of me! Tonight is about me and Celia! Hoo-hoo, the loveboat is about to set sail! I'm telling ya, pal, I see her face and it makes my heart go- YIKES!!! Y'know, sometimes I feel so romantic, I think I should just marry myself! She nods and holds her tiny finger up to her mouth) I have no idea, but it would be really great if it didn't do it again. (Mike is still wedged inside the garbage can) (Inside, the lights continue to surge to highest and pop, and causes a blackout. (Outside, all the apartment lights in the whole complex start lighting up brightly) The lights in the apartment surge even brighter than before) (Boo finds this funny and begins laughing. A hanging STEREO SPEAKER lands on his head) (Mike rolls into a garbage can and bumps into a shelf, sending a STACK OF BOOKS into his mouth. Boo sees it and stops crying again and lights stop surging the second time)
(He starts running toward Sully, and trips on a lamp and flies across the floor. Sulley, the bear! The bear! Give her the. (Sulley's yelling frightens the kid, who starts crying again) (Boo reaches for the bear, accidentally touching Sully's hand and the bear falls off his hand. (The helicopters turn around and begin to fly away) (Boo stops crying finally - The lights stop surging. ? He's not crying, neither should you ? Or we'll be in trouble ? 'Cause they're gonna find us ? So please stop crying right now ? (Sully begins to dance with, anything to get her stop crying) (Boo continues to cry, Sully offers the bear) (Mike drops the bear, and pulls the shade shut) (Outside, the helicopters heads toward their apartment) (Boo starts screaming real loud) (The lights in the apartment begin to surge) (Boo's face starts turning red and eyes well up with tears)
Hey, hey, that's it! No one touches little Mikey! (Boo points to a ONE EYED TEDDY BEAR, out of her reach) As long as it doesn't come near us we're going to be okay. Hurriedly Mike and Sulley yank the shades closed) (Sullivan and Mike flee over to the window.
Monster inc tv#
(Mike and Sulley's TV smashes to the floor.
Monster inc professional#
It is my professional opinion that now is the time to. I tried to run from it, but it picked me up with its mind powers and shook me like a doll! Well, a kid flew right over me and blasted a car with its laser vision! If witnesses are to be believed there has been a child security breach for the first time in monster history. By the last heart-tugging shot, kids may never look at monsters the same, nor artists at what computer animation can do in the hands of magicians. Director Pete Doctor and codirectors David Silverman and Lee Unkrich follow the Pixar (Toy Story) blueprint with an imaginative scenario, fun characters, and ace comic timing. Beyond the competition to be the best at the business, Sullivan and his assistant, the one-eyed Mike Wazowski (Billy Crystal), discover what happens when the real world interacts with theirs in the form of a 2-year-old baby girl dubbed "Boo," who accidentally sneaks into the monster world with Sulley one night. "Sulley" Sullivan (wonderfully voiced by John Goodman) is a scare-monster extraordinaire in the hidden world of Monstropolis, where the scaring of kids is an imperative in order to keep the entire city running. The folks at Pixar can do no wrong with Monsters, Inc., the studio's fourth feature film, which stretches the computer animation format in terms of both technical complexity and emotional impact.
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